Evaluation

FDA Evaluation

Five Cycles of Mazikki

Project Update: Audio and Final visuals

Premiere Pro was the major program where I built the final piece. Some animation was created in here or overlapped. For example, some of the shots of 'she' are masked over other clips to avoid having to re-animate. (top: Middle and bottom screen print).

For the most part of the edit, I used (top print) I did not place fades until the bulk of the edit was down. This was to evaluate and pacing of the film only using fades it is suited the mood or and specific emotional point.

Fades also helped soften some of the transistions, however, I must avoid placing too much because I don't want it to feel repetitive.

Photoshop was the main animation program, using the very simple key frame system. It is not accurate like After Effects (AE) but allows creative freedom in terms of keeping the colours and right dimensions of the characters.

It also allows your animation to be on multiple layers with easy access of previous frames to repeat an action.

The cave sequence was firstly animated within Photoshop, and finalised within AE. This has been a common process within this production and has increased my workflow- creating more animations, fast.

The last screen print is to make sure all audio levels are checked and consistent through-out. It also allows me to add any last effects to the whole film and add the colour bars and tone for the final product.

Set Design

Bellow are shots of the sets used within the film:

 Single use- bridge shot

 Multi use- wider shot, mid shot
Establish shot of home

 Single use- running through the light within the forest.

 Single use- Dark, gloom corridor.

Character Sheets

Mazikki Poach

Mazikki Poach is a feline creature living in a small village surrounded by woodland in which both him and his wife, Annetted lived peacefully. He had always been a good natured, well established man within his village but a series of events caused him to lose touch with the world.

Annette unfortunately past on, dying from illness and a year before the series of events within the film took place. She was the love of his life, and without her, he fell apart- isolated from the village. He started to drink and loose touch of his home before hopelessly staying in bed.

He became even more distant to the real world when he meet his dream friend who declared herself as 'She'. It was up to her too pull him out of the mess he created by symbolically finding Annette and forcing him to accept her death.

'She'

She is a shadow of a feline women who treads the line between reality and dream world. The reason she came to Mazikki was unknown and never really explains who she is during the events. She communicates through very little speech, repeating or asking questions to reveal the true emotions of her friend.

Her body mass is unknown while she never stays the same shape between land and water. She remained a mystery after events, never to return to Mazikki again. He always questioned if that was Annette in shadow form but never thought to ask because of his emotional state.

Annette Poach

Annette was a kind natured feline creature, similar to Mazikki, but with delicate features. She passed on due to an unexpected illness a year before Mazikki met 'She'.

No detail is reveal about her within the film, as Mazikki could never bring himself to even say her name. He seemed to refer to her as she, similar to the shadow women, giving clues that he may have though of the shadow women to be Annette at some point.

Tackling Rendering Issues!

After doing a lot of straining to get those final animation shots finished and final touches to the audio, it can be easily assumed that there is nothing else to take into consideration.

Unfortunately that is not the case, as rendering the whole project can be just as taxing as the above.

This technical issue occurred because I have been combining three different software to export individual clips. Photoshop, After Effects and Premier Pro have been the main programmes.

It has been stated on the Adobe website that RGB colours sometimes get misinterpreted within the final render, causing blue areas to flicker on the image. This has been a problem the occurs mostly when using the animation codec within After Effects. In my case, it is the codec I used from Photoshop renders that caused this problem. Luckily there is a work around as stated on the Adobe site.

Using the crop effect within Premier Pro, is the most effective way of getting rid of the problem without having to animate or re-render any of the clips again. The effect does not directly do anything to the image unless you put in units. The idea is to flatten the troubled clip with the effect, causing the problem to stop. The only issue, is a small flickering at the bottom of the screen which can be fixed during and second render.

More info can be found out here:
http://helpx.adobe.com/premiere-pro/kb/movies-have-blue-cast-exported.html

Promotional Material

Above is another promotional poster to use within my own marketing material.

Audio Screen Prints

 

 Audio screen grabs-

Here I used effects such as equalisation and the high pass filter to create the TV effect. The more you add with the effect the more condensed the sound.

I also used effects such as delay to add echo to the piece. Using this effect allows me to have more control over the amount of echo used. 

After Effects Work

Here is an example of my work with After Effects. The program was used for:

• Creating movements- such as bubbles or other effects to be added onto film
• Colour correction
• Repeating a single action.

Animation Process

 http://ervand.deviantart.com/art/Rain-Splash-Animation-Tutorial-20276062

Above is a link to a tutorial on how to create rain within Photoshop. It really helps in creating a moody effect onto the image:

 The technique describes using four layers selecting each one within a different frame.

This technique is also good for the waterfall and other ware effects. It is important to make sure layers are selected correctly within each frame.

It also cuts down the workload because I am able be only draw four frames in which creates a flowing movement.

Music Cue Sheet

FDA Music Cue Sheet

Animation Update

Screen grab

This is an example of my work process within Photoshop. Here I have used four frames, in which are repeated to produce ripples within the water.

19th May Post 2013

A quick up date to the past week.

After viewing the first editing, I felt I needed to go back to the inspiration- 'She and Her Cat'- to help any pacing, music and other issues that I have expressed within the last post.

I will be posting about the changes within the edit within the next few days.



For now, I have a movement piece, to prove that I haven't go into hiding from the due date!

Storyboard and Rough Edit

Changes to Edit

The edit itself needs to be tightened up, which in turn will also cut down the work within the animation process.

The first problem is the pacing of the edit. There are large gaps of no speech in which makes the piece feel too slow. Feedback from my tutor suggested that I have continuous speech through-out to maintain a pace. To do this  I will need to add speech in-between the main dream sequence, during the first section of the film. The new lines I will be adding are as follows:

 'As I pass by a waterfall, deep within the cave stands a shadow of a women. She says....'

'The dreams kept on repeating and I did nothing to stop them.'

Along with adding lines, it is also important to begin cutting the script. Certain themes run through the piece and therefore lines need to reinforce them but not repeat the same ideal in multiple ways. The section, 'Bargaining' mentioned a deeper reflection of the dream from the beginning of the film. Therefore cutting lines from this section would not take anything away from the story or what Mazikki had mentioned before.

As discussed with my tutor I will think about cutting:

•     Any repeated references to winter coming back
•     when Mazikki talks about questions.
•     Visually, cut some blur shots- tentacle shot- because it has no reference
•     'Summer ending'

Along with this titles will also be cut, placing text over visuals to give it that sense of flow.

The work will be achieved with these cuts made. I have also realised that without these cuts, the length would be longer than expected. This was the right choice to avoid the film becoming long winded and dry.

Test Edit

Here is a initial test edit of the introduction to my film. (See 'Changes to edit' post for comment on feedback).

Rushes Logs

Chris Peak Participant Release Form

Release Form

Recording Session Two- 6th May

It was important during the second session to remind Chris of his character. This involved re-reading the whole script and listening to the clips.

With the accent and tone correct the session began very well. This time round was more relaxed with less issues or unnecessary pauses as before. Ultimately, all final scenes plus some repeats from before were completed.

My directing style was stronger the second time round because I was more confident in what I was doing. I had a stronger believe within my project and new my character well enough to discuss tone clearly. I also ensured that I recorded at least three slightly different versions of each line to have a better choice within the edit.

Better communication grew with a better understand of the project and Chris responded will to my suggestions. Furthermore, he also made some of his own allowing us to have an open discussion about Mazikki's character at certain points. In turn, this influenced the edit because the tone of the lines will depict what visuals I use and the pace of the imagery.

Call Sheet 6th of May

Release Form Two

FDA Release Form Two